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Posted on 18/04/13 5:51:13 PM
BigVern
Q Quipper
Posts: 674

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Re: Covering a locomotive
Sjef that is a superb example of photoshop art, craft and patience. Congratulations!

Anyone know why the image takes such a ridiculously long time to load and save in CS6 compared to CS5 (Sjef's stats)?


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Posted on 02/05/13 8:03:50 PM
wayne morton
Master Blender
Posts: 97

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Re: Covering a locomotive
I have to concur with all of the positive comments towards Sjef's work.

Not only does it show a great eye for detail and accuracy, it also shows a very sound understanding of a very complex program which many find hard to use proficiently let alone master.

I have no doubt whatsoever that Steve's books had a very important role in teaching you the important fundementals of Photoshop but you have had the desire and patience to run with it and persevere and it has paid off. I take my hat off to you...Great Work!

And for anyone who thinks it's a bit of a cop out illustrating a photograph....I suggest you google 'Bert Monroy - Times Square' or 'Bert Monroy - Damen' and watch a true master at work...rant over


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Posted on 02/05/13 8:58:57 PM
BigVern
Q Quipper
Posts: 674

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Re: Covering a locomotive
And for anyone who thinks it's a bit of a cop out illustrating a photograph....I suggest you google 'Bert Monroy - Times Square' or 'Bert Monroy - Damen' and watch a true master at work...rant over



Agreed ... I've been following Bert M for many years, through his pixel perfect tutorial vids and have a couple of his books and the man is obsessional about the tiniest of details.

Take for example the blue flowered and checked table cloth for "Lunch in Tiburon" (one of my favourites btw) he creates it in PS but with an irregularity in the pattern and a variation in the stitching so that is looks more real than just a repeating pattern.

And Damen has in excess of 15,000 layers!






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Posted on 03/05/13 06:35:23 AM
Mariner
Renaissance Mariner
Posts: 2998

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Re: Covering a locomotive
Check out Bert Monroy here

Posted on 03/05/13 06:58:40 AM
GKB
Magical Montagist
Posts: 3959

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Re: Covering a locomotive
I've always enjoyed Bert Monroy's work, especially Times Square. Wonderful images.
I rest my case.


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Posted on 24/06/13 8:06:36 PM
Paul 2007 thru 2010
Lego Legend
Posts: 361

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Re: Covering a locomotive
GKB wrote:
Constructive criticism is an excellent thing but I'm sorry Paul I have to disagree with what you say.

Many artists in the past have had praise heaped upon them because of their fantastic rendering of detail and perspective in both portraits and landscapes; they used a camera obscura to enable this detail. Are you saying that their work was any less good because of this?

That's not quite the same. In Vermeer's day there was no way of just copying anything. It was all done manually and he used the camera obscura to help him with perspective.

It just seemed odd to me that anyone would spend many many hours painstakingly recreating an image that looks exactly like the original.

I am not denigrating his skill and eye for detail.
GKB wrote:May I ask why we never see any of your own work on this site?


Photoshop is a huge tool and used for many reasons in differing industries. My own area is more to do with automation rather than creativity. While Steve's book really got me into PS I find I have gone off at a bit of a tangent.

If Steve had a Friday Challenge one week for scripting Photoshop in JS then I'd be there with my effort like a shot.

Personally I take great delight in sitting back watching photoshop churning away on 1000 images for me. That's not the sort of work one can "exhibit" here.


Posted on 25/06/13 08:49:00 AM
BigVern
Q Quipper
Posts: 674

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Re: Covering a locomotive
"It just seemed odd to me that anyone would spend many many hours painstakingly recreating an image that looks exactly like the original.

I am not denigrating his skill and eye for detail."

See http://www.bertmonroy.com/


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Posted on 02/07/13 9:08:19 PM
Jota120
Ingenious Inventor
Posts: 2615

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Re: Covering a locomotive
Sorry this goes on a bit.....

Well when I was studying Art with history of art. (I was working at the time) I know art before. Maybe very little about appreciating the history. I could not understand why all these Christina figures. Simple, the Church sponsored them.

Very strong reinforcement from our tutor, who knew art how to run a course and history of art in the evening. (I'm not sure about his painting skills ). 8 of us passed A Levels in Liverpool. For some of them critical for university placements. I'm very happy for them. Mine a job done and met quite a few good friends, but more appreciate art very much more both the history and contemporary .

Its very easy for me to take a photo or get an image.

What is more important for me is doing life drawing and my mountain, portraits, etc painting and sketches. There is no lens. Observe and analyse what is going on.

So in this case, I think he was doing a good job, especially on observation and more his PS skills.

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